With your host John
Watch series trailer:
Join artist, Barry Herniman for this four part art series, filmed live from England.
There are four, 1hr art tutorial webinars, exploring the fundamentals of colour.
Webinar videos are included in the price and will be available to you from our video library. ** Scroll down for further class details **
Buy ONE CLASS or FULL SERIES and SAVE 25% >
(Series discount only available until end April 2023)
PART I: Transparent Colours - Fall foliage that glows!
Join live webinar Thursday 6th April '23 @ 3:30PM UK time
SUMMARY
Using beautiful transparent colours, paint this glowing scene of foliage in the Fall. All the pure reds, yellows and oranges that will go to make the foliage jump off the page. All colours will be mixed on the page - not in the palette!
Painting example:
Share art and feedback on FB here > (soon)
or message on the Patron WhatsApp
MATERIALS
- A good watercolour paper, weight 140lb at least. Rough surface or NOT depending on your preference. Size: 8 x 10 ins roughly A4
- Colours: Yellow, orange, alizarin crimson, cobalt blue, pthalo blue and white gouache
- Round brushes. Nos 6 and 4. Rigger No 2
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PART II: Mixing colours - A crashing wave
Join live webinar Thursday 13th April '23 @ 3:30PM UK time
SUMMARY
Painting a crashing wave against the backdrop of a dark and colourful cliff face by letting all the colours flow over the paper producing some exciting and unpredictable mixes.
Painting example
Share art and feedback on FB here > (soon)
or message on the Patron WhatsApp
MATERIALS
- A good watercolour paper, weight 140lb at least. Rough surface or NOT depending on your preference. Size: 8 x 10 ins roughly A4 - Colours: Yellow, orange, burnt sienna, cobalt blue, pthalo blue and white gouache - Round brushes. Nos 6 and 4. Rigger No 2
BUY ART MATERIALS, BOOKS & PRINTS
Great offers with all top art brands >
PART III: Contrasting colours - A bridge of high contrasts
Join live webinar Thursday 20 April '23 @ 3:30PM UK time
SUMMARY
Lots of counterchange, lights against darks, in this tranquil view of a lovely old stone bridge. You will see how light can transform a rather ordinary view into an EXTRAORDINARY one.
Painting example:
Share art and feedback on FB here > (soon)
or message on the Patron WhatsApp
MATERIALS
- A good watercolour paper, weight 140lb at least. Rough surface or NOT depending on your preference. Size:8 x 10 ins roughly A4 - Colours: Yellow, orange, burnt sienna, cobalt blue, pthalo blue and white gouache - Round brushes. Nos 6 and 4. Rigger No 2
BUY ART MATERIALS, BOOKS & PRINTS
Great offers with all top art brands >
PART IV: Night Colours - The majesty of St Paul’s
Join live webinar Thursday 27 April '23 @ 3:30PM UK time
SUMMARY
Going straight in with the paint , with NO preliminary drawing , we will be looking to produce a lively depiction of this magnificent cathedral at night. Accuracy is not the name of the game here but immediacy and VITALITY is. Lots of fun!
Painting example:
Share art and feedback on FB here > (soon)
or message on the Patron WhatsApp
MATERIALS
- A good watercolour paper, weight 140lb at least. Rough surface or NOT depending on your preference. Size: 8 x 10 ins roughly A4 - Colours: Yellow, orange, alizarin crimson, burnt sienna, cobalt turquoise, ultramarine and white gouache - Round brushes. Nos 6 and 4. Rigger No 2